Wednesday, October 8, 2008

Color Mistakes...and what do I do now!
















I have a great new addition to my client list. The unfortunate situation I am faced with, is that they hired me after they had already made key choices for their new custom build. They didn't realize that most homebuilders actually hire a designer at the very point they have their blueprint, sometimes even before they go to the architect.They had so many questions along the way that a designer could have solved. Most people do when building a home, there are so many decisions to make, so many steps to achieve that look that you want.

One of the largest initial decisions is what style of home you want. The typical new build home in Arizona is a "Tuscan" style, like an old Italian villa- yet three times as big! The craziest thing that I find when dealing with my clients, is that the majority of them do not like Tuscan, yet they end up building this style of home, without the knowledge that the exterior style can be altered at the drawing board, to reflect their taste.

My wonderful couple here made all the wrong decisions when making the primary selections for their home. They started off selecting a roof tile blend of two different mexican tiles with very different variations in their hues. One tile has a brown base with creamy, yellow, almost green areas. The other, a brown with a purple base to it. (Browns have many different undertones that comprise their end result color, so you must be careful when combining it, or any neutral, with other colors) They then found a home with a color they loved, Dunn Edwards Madera- which is a very yellow, yellow. It is a creamy, warm toned yellow, but very striking. To add to this, they had a local stone company create a sample of stone veneer to apply to their home. The paint was not yet done when they were choosing their stone, yet they already had selected the color, so it should have been a major factor in the selection of their stone. Now, in this instance, I blame the stone guys because he saw that they just didn't work together and didn't make a blend that better complimented the colors of the home. The husband fell in love with the sample and the rest was history. Most men are color blind; that's not an insult to anyone reading the blog, it's actually a fact. Most men also tend to choose colors with a charcoal or ash base. That was the case with this home. He really didn't see much wrong with the stone and it went up beautifully. The two issues that occurred were that the stone that went up did not have as many creamy beige stones as in the sample, and the grays and blacks that went up ABSOLUTELY DON'T MATCH THE HOUSE, NOR THE ROOF!!!!! Disaster.

Color is not an easy thing to figure out. Some people are naturals at selecting colors that work well together, some use the color cards provided by the paint companies- which is a good idea. Most of the general public needs help when working with warm and cool colors in combinations. Certain combinations of colors can fool the eye to see all sorts of things that aren't there. We can use light and dark colors together to make a room seem larger, smaller, lighter, darker. We can make one color look like an entirely different color by using a second or third color in combination. What happened here is two things. The yellow paint on the base of the house, is not the right tone for this roof. Secondly, the stone is too cold a color for the yellow and too busy for the roof variation. The roof and stone compete with each other. On this home, the paint color is more of a tint ( a color with white added to it) and the stone is a shade ( a color with black added to it). The stone could still have thes darker, charcoal shades, but should have had something to tie them to the roof and the paint. Now the combination of the cool gray and warm yellow makes the roof look purple. OH BOY! What do we do... we must correct the color.

If the stone company makes an error such as this, which in this case is their responsibility because the stone on the home does not match the sample too well; don't let them tell you that they can't repair it. In this case, as it is all already up, they would need to cut out random stones every 4' or so and add a creamy beige stone, like what's on the board. This would help tie in the color on the house. This will not solve the problem of the roof. Unfortunately, this will now cost them money. The three options in this instance are to:
  1. Paint the roof a solid charcoal color to match the stone and tie in the combination
  2. Paint the facia, which is the trim area that separates the base of the home from the roof
  3. Stain the entire base of the home, by applying a dark shade of a wash coat over the Madera, which she will absolutely not allow- because it will alter her yellow and further bring about a Tuscan style.
We have not yet completed any of these actions... So stay tuned to see what they choose. I am using this situation as an example to show that we can (most of the time) correct a color error. In a home of this size, the correction will not come cheap! This makes me feel bad for my clients because they just didn't know that their choices could impact the end result so drastically. Now that they have me on to oversee the crews that come in and out of their home and assisit with their choices, we'll make better progress towards the completion of a fabulous high-end home.
Color is not always your friend... sometimes she's a stranger that you have to get to know first!

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